Insomniac Insider

It’s been an exciting year for us at Insomniac. We started 2015 continuing where we left off with Sunset Overdrive and the Dawn of the Rise of the Fallen Machines DLC. We then moved on to something new and exciting in Edge of Nowhere, our Oculus Rift exclusive VR title. We followed that up with showing the world Ratchet & Clank (PS4) gameplay for the first time and more of the movie (including the great celebrity cast). Sprinkle in a few premium mobile titles and our first PC release, Slow Down, Bull (50% of net proceeds going to Starlight Children’s Foundation) and you have a busy year!

As we do each year, the time has come to take a little break and recharge. We will be on holiday as a studio starting today through the New Year. This means you won’t be seeing anything new from us, and responses on social media and support will be slower than normal. We are looking forward to coming back fresh in 2016 with Ratchet & Clank on PS4 AND in theaters in April, Edge of Nowhere hitting the Oculus Rift after the headset releases publicly… and maybe a few other surprises. Thank you for a great year and we will see you all in 2016!

We leave you with our 2015 holiday card based on Edge of Nowhere concept art.

Happy Holidays!




We recently received a Facebook post showing off an awesome looking, fan-made Insomniac history book. We were blown away by it, and wanted to learn more about the book, its creator and his reasons for making it. We also wanted to see more images of what it looks like inside and out. We tracked down Jesus Valdivia of Spain and asked him about his creation.

First, a little backstory. Jesus writes:

This book started as a project at college. Despite studying English and German Translation and Interpreting, we have a subject (Book Graphic Design and Layout) where the final exam is a book that we have to build ourselves from scratch. In fact, before deciding to turn it into a complete book, my idea was to design a small brochure about Insomniac Games. I was going to give a little information about the history, games and studio, but then I started to write like there was no tomorrow and totally changed my mind. I had so much to write and say about Insomniac and even more about the games. My teacher gave me the green light. I remember his words, “This is big. It is a risky choice because of the time. You just don’t have to write it; you have to edit the text, correct your mistakes AND make a design. Then check that everything is correct and have it printed.” I just wanted to make it real. The idea of making a book about Insomniac Games that I someday could show to the people at the studio was motivation enough.

How did you compiled this?

In order to make this project I had to know how to use word processing programs such as Microsoft Word and we were asked to know their more advancing editing features. Once I had the text written and proofread, it was Adobe InDesign’s turn. I had never used it before, but I did use Photoshop since I was a kid and they are similar. Photoshop and InDesign have been my main tools. However, I also used Illustrator, Vector Magic and Snagit to make screenshots of the layouts and transfer them from one program to another. It was crazy. It was all about the timeline; we had less than five months to finish our projects. That is not a lot when you have to design every single page and adapt the text length, choose the right images and even design the small Easter eggs that appear over the 80 pages of the book.

Was it printed and bound by you?

We had that option, but you need a professional level printer and some printing/bounding skills, as well as time. We could also work with a printer and have it finished at a printing house, which is what I did. The final result looks pretty cool. The quality of the paper and the finish are great. The printing house glued it too. Next time I will probably have it bound rather than glued, it just feels more professional.


How much of this work is your work and how much is taken from other sources?

This is an interesting point. I cannot give you a clear percentage. The book is divided into three chapters: ‘History of Insomniac Games’, ‘Games’ and ‘The Studio’. We do not have much information about Insomniac in Spanish so I thought that making this book was the best gift to the Spanish-speaking community. Most of the information I used in the making of the book is reliable information (taken from the official Insomniac site, Moonlighting with Insomniac and Baker’s Dozen blogs, PlayStation,, etc.) translated into Spanish and rewritten so as the style is always the same. I call it the ‘Insomniac Style’. Casual, close to the reader, sometimes irreverent, festive and full of humour. Rewriting the translations was such a hard job but it turned out totally worth it. And the puns… ah the puns! Also I looked up some info in Spanish (reviews, posts, my own game boxes…) just to make sure that what I was writing made sense and was accurate.
Regarding the images and photos used, I have a list of sources in the bibliography.

Did you do any of the art?

I made some of the artwork. For example, the time machine (second chapter) that allows you to travel through the history of Insomniac and the games. I also vectorized many silhouettes (I love working with them, it is totally my style) and then designed new artwork like the Captain America / Superman Insomniac logo. I even vectorized North Carolina and Burbank’s building skyline for the last page! The design of the cover and back of the book was also an idea of mine, again with silhouettes.

How long did this take you?

5-6 months. At this point I think that you can figure the amount of work behind this project. Also I had to deal with the other subjects. German is challenging!


For a deeper look at Jesus’ project, check out the full gallery of pics here:

We love fan art, writings, images, cosplay and anything else Insomniac (or our games) may have inspired. Please don’t stop sending them to our Twitter and/or Facebook page, and swing by our Community forum for a chat!

book4 book5


A note from Carrie, Insomniac’s Chief People Officer.

Little did I know when I came to Insomniac Games 11 years ago that I was joining such an incredible company. Sure, I was amazed by Ted on my first meeting (just like everyone) but I really had no idea in September of 2003 how truly special Insomniac was, is, and will always be. What I instantly realized was that from day one, Ted, Al and Brian created a studio with a culture of inclusion, creativity, collaboration and FUN. I don’t think this was done with much thought toward “what is our culture” but is rather a reflection of these amazing individuals and their passion for making games. As we’ve grown and the industry has evolved, we’ve never deviated from the most important aspect of who we are – Insomniacs! To know us is to know that our heart and soul is a tremendously talented and vocal team that creates amazing games for our fans. I’d be bold-faced lying if I didn’t say that we have our challenges and that some problems are easier to fix than others. We still have a long way to go but, no matter what needs to be addressed, the foundation of our studio is solid and if you ask anyone here, they’ll tell you that we’re part of a unique place that cannot be duplicated.


Being recognized on Fortune’s 2014 Best Small & Medium Workplaces list marks our 15th award in nine years and, yes, I’m bragging right now. How many companies, especially in our industry, can wear that badge? Even more important, these awards are the direct result of survey feedback received anonymously from Insomniacs. There is no buying your way onto a list like this and if we weren’t doing an amazing job focusing on our employees we wouldn’t be recognized year after year. Here’s a little-known fact, the only two years we didn’t make the list is because we chose not to apply so we could just focus on the feedback we’d received and wanted to address employee concerns. Hindsight being what it is, I realize we short changed everyone by not applying and not soliciting feedback because everyone here takes great pride in this accomplishment. Even during times where we’ve had our biggest growing pains – new tech, new IP, new publishing relationships, new consoles — I’ve wondered if we’re really doing all we can to create a culture that can withstand and evolve change. But our employees have said that we’re doing almost everything right and when we’re not, we admit it!

Insomniac Games turned 20 earlier this year and I can honestly tell you that I hope I’m here when we celebrate our 40th!

*Update*: You can now watch the trailer here!

Hey everyone,

Marcus Smith, the creative director of Sunset Overdrive here! We’ve been working hard to put the explosive final touches on our live action trailer. This has been a huge shoot for us, involving taking over the backlot and turning it into a real-life version of colorful Sunset City.

To give you a sneak peek of the trailer, we wanted to share some photos from the set. You can see how amazing it looks. We’re totally going to put that Sexburger sign in the office when we’re done.


The props are perfect too, including the dozens of innocent teddy bears eagerly waiting their turn to be launched into dynamite-propelled heaven. And wouldn’t you know it, Fizzie demanded screen time too. Talk about an inflated ego.



The live-action trailer will be out soon! So keep an eye on Insomniac Games and Sunset Overdrive on Twitter for the exact moment we unleash it on the world!


We had an awesome time last week seeing many of you at San Diego Comic-Con. Whether we played Chaos Squad with you on the showfloor or in the Xbox Lounge, revealed brand-new content to you at our SDCC Panel, or caught you in line to buy Mondo’s Sunset Overdrive poster (their first-ever videogame print), it was fantastic to hear about how excited you are for the game.


If you missed our panel, and the coverage of it on Polygon, we focused a lot on Character Customization at San Diego Comic-Con. Polygon announced a contest where you can design an outfit for the game that we will make after we ship to be in post-launch DLC! The prize is a trip to Insomniac for a one-day apprenticeship with us. Check it out and submit your entry here.

If you need some inspiration, Polygon also interviewed Lead Character Artist Gavin Goulden (who we interviewed on this blog last week!) about the customization in the game. You can read that piece here.

And finally we released a BRAND NEW video showing off tons of new customization. Check out some of our favorite customization pieces from the game and see LOTS of new gameplay footage.

That’s all for now, it was great to see you at Comic-Con this week. And be sure to stay tuned to Sunset TV for some footage!

As we continue towards this Fall, we wanted to spotlight various members of the Sunset Overdrive team with some questions you hopefully haven’t seen answered elsewhere. Get to know the Sunset Overdrive team. This week we talk to Game Director Drew Murray.



There is a rumor that you were standing on top of a chair when pitching Sunset Overdrive to Microsoft, can you confirm or deny?

Confirmed. I was telling the story of what we thought would be a typical experience in the game, and as I reached the culmination of the story, I was building up the performance, talking louder and gesticulating more. At the end, I jumped up on my chair, switched to yelling, and acted out the last 45 seconds or so. I’d actually been practicing jumping up on a conference table, but the table at Microsoft seemed a bit flimsy so I decided to go with the chair, not really considering the fact that jumping up on a swivel chair maybe wasn’t the best idea. Thankfully, Noah Mussler at Microsoft snatched his arm out and held the chair for the rest of my performance so I wouldn’t flip over.

Describe your ideally dressed Sunset Overdrive character?

As part of our pitch, I described what I pictured me and Marcus looking like in-game. My character was wearing nothing but a Speedo, a kangaroo codpiece, and sneakers. Add a black-eye or a bloody nose, and I’m good to go!

What were some of your first design rules for Sunset Overdrive?

After seven years of Resistance, “no rubble, no grey” was our first rule!

Our best rule, though, was “Less talk, more rock!” (which we totally ripped off from a Superbrothers article based around a Jordan Mechner quote). The core idea is that most developers spend a ton of time talking and talking and talking about how to translate their basic, essential inspiration into a game, and then start working on it, but the best way is to go directly from inspiration to making, or “rocking.” As the article said, “Don’t think it through. Don’t talk about it. Don’t plan it. Dive in and start making it happen.” As soon as something is playable, you find consensus much quicker, even if it’s to go a completely different route, and you also get people focused on improving a feature instead of arguing against it as a theoretical concept.

All game designers should read this:


Sunset Overdrive inspiration concepts

What’s the hallmark of a well-designed game for you?

I think it’s how well a game reflects its inspiration and intent. “Fantasy-based melee game” could be used to describe both God of War and Dark Souls, but those games have completely different inspirations and intents. One is to make you feel like a total badass the moment you pick up the controller, the other is to oppress you and make you work for every inch of ground you gain. And they’re both fantastically successful at evoking the feeling that they intended.

You’re a stickler for terrific controls, can you talk about the process? How do you know you nailed it?

The process really just comes down to tons of iteration. We do a rough pass to get the overall experience feeling vaguely correct, and then drill into the details. We’ll look at a particular thing like camera turn speed and really drill into top speed, acceleration and deceleration, how the stick-input-angle relates to different speeds, how the turn speed is affected by zooming, and tons of other details. Details like whether acceleration to top speed is going to take 5 frames or 6 frames are huge decisions, and there are heated debates about them.

Then we start playing the game and looking for cases where the controls don’t feel right, and we decide whether to adjust the core controls or set up special-case adjustments.

Along the way, we’re doing constant usability tests – first internally and then bringing in outsiders who have never seen the game – and seeing how players handle the controls. We get a lot of feedback from players telling us what they like and don’t like, but we’re also watching them play and will pick up on a lot of details that players may not consciously realize but that they’re having problems with. We take all we’ve learned, adjust what we need to, and run more people through it.

It’s a balance, though – your intent for the game has to stand firm. A game like Dark Souls could be considered non-responsive by a lot of players in a usability test, but those delays and slow, heavy animations and losing control after a big hit from an enemy are what make that game great at realizing its intent and inspiration. For Sunset Overdrive’s high-action, immediate responsiveness is what we aimed for, and so making sure that the controls are fast and tight was our goal.


The One-Handed Dragon from the E3 2014 trailer. Drew’s favorite Sunset Overdrive weapon.

What’s your favorite video game of all time?

Ratchet & Clank: Up Your Arsenal. I already loved Ratchet – the colors, the weapons, the combat, the tight controls, the humor, the minigames, the variety of mechanics, the different planets – and Up Your Arsenal took everything that was already great about the franchise and made it so much better. It cemented my desire to come to Insomniac to figure out how they made such great games. We’ve described Sunset Overdrive as “the game for adults who grew up loving Spyro and Ratchet,” because that’s who we are.

If your city was overrun by mutants who had drank Overcharge, how would you survive?

I’d steal an ice cream truck, cover it with pinwheels and roman candles, and blast T. Rex from the truck’s speakers while cruising around the city in order to gather a group of like-minded survivors. Then we’d drive to the Santa Monica Pier while eating ice cream novelties and create a post-apocalyptic pagan nudist colony in the amusement park there, surviving on funnel cakes and beer while we watched the sun set into the Pacific from the top of the Ferris Wheel.

Your Sunset Overdrive Weapon of Choice?

The One-Handed Dragon. I love the whistle-sounds of the fireworks, I love the risk-reward of the delayed-explosion, I love the dragon fireworks effects, and I love the gun model itself. I also spent a lot of time defending its early implementation, so I think the One-Handed Dragon and I bonded over other people’s mutual disdain for us.


Drew and Conan O’Brien at E3.

What was it like demoing to Conan O’Brien?

It was fun. I knew in the back of my mind that I might look like an idiot on national TV, but I’m the guy who was jumping around on tables and chairs when presenting the game and asking concept artists to tweak the ears of the in-game kangaroo codpiece for the fifth time so it would look just right; it’s not like I have a lot of shame. I know how lucky we are to have people interested in the game, so I’m just trying to enjoy all the cool and unique experiences that are coming up, and this definitely fit the bill. Conan and his crew were very cool and, despite the appearance on TV, they all seemed to really dig Sunset Overdrive. As a bonus, my mom now thinks I’m famous.

Check out all of our Before Sunset interviews here.

The Herker OD is one of many different enemies you'll face in Sunset Overdrive.

We’ve filled you in on how combat and traversal were intertwined in Sunset Overdrive like two young lovers, but what good is that if there’s nothing to shoot at? So, let’s chat about enemies!

We wanted to do two main things with the enemies in Sunset Overdrive: make them threatening and make a wealthy variety of them. And, to be honest, this wasn’t exactly easy. In the game, you’re always quickly moving up, down and every which way – so creating admirable foes to match that speed and freedom took some work.

But, it got worked. And here’s a few of them and how play.

OD: These guys have a horde mentality and will wreck you if you’re sticking to the ground. We’re going to throw a lot of them at you all at once and they actually have a lunge that’s both quick and unexpected. So, while they aren’t the toughest to kill – the sheer amount of them makes them dangerous.

Plus, OD are pro at blocking your traversal paths. They climb on grind rails and even block you from bouncing on objects. So, you’ll have to be keep moving and adapt your traversal path and style when facing off against hordes of these.


Blower: These folks are going to attack you at range with messy Overcharge bile that lingers around and damages you if you stay in it. And we’ve worked to make sure the consistence in which they fire is random and doesn’t feel too “patterny.” That plus the fact that Blowers usually position themselves on perches on the outskirts of battle, mean that you’ll have to strategically hone in on them with traversal to get the kill.

Herker: You’re not going to like the Herker. I mean, you will – but repeated bulldozer fists to the face will bruise your friendship with it. On a basic level, the Herker is a tank. He can take a lickin’ and keep on kickin.’ However, he’s also endowed with some speed. One of his attacks is a beeline rush towards the player that will take out a huge chunk of your health if hit. So, the best way to defeat him is to keep your distance and stay above him.

However, he’s not just limited to close-range melee attacks. He can also throw large pieces of concrete or OD at the player, which can both hurt you on impact and force you to now deal with another enemy at close range. So, overall, he’s a versatile enemy that usually becomes your primary target to take out first in a fight. If you don’t, you’ll be the first thing taken out.


Scabs: Scabs are humans, but that doesn’t make them any less threatening than their more mutated brethren. Plus, their presence will actually make you switch up your play style. The normal Scabs fire assault rifles at the player from a distance. This constant ranged damage is a style that the mutants don’t fill. It will force the player to stay in constant movement in order to dodge the barrage of fire – all while trying to line up their own shots to take the Scabs down.

And that’s just a few of the enemy types! There are more types of OD and Scabs, as well as a whole other variety of foes like the Fizzco Security Robots. But, for now we hope you see how just a few of the enemies really differ from each other and force the player to approach them in separate ways.

And it’s important to note that you’ll be facing these guys all at once. Imagine turning the corner and seeing a huge horde of OD running towards you. As you slide on a rail, you have to club off OD that are trying to block the way. You jump on a grind rail only to have a Blower spew bile at in the path. You jump on the nearest car and suddenly bullets whiz by from a band of Scabs on the roof to your left. You land on the street to gather your bearings, but a chunk of concrete knocks you back. A Herker has joined the party. Better get moving, buddy. And shooting!

Hell, the Scabs and the OD will even fight each other – making the fight even crazier.

That’s the experience we want you to have in Sunset Overdrive. We want to surprise you and constantly make you re-evaluate you combat situation. Sound fun? Good!

Unless you said “no.” In that case, bummer.


Hey, Outernauts and Insomniacs! Stephanie here with a blog about a fun secret I get to share with you!

What’s a great video game without a few hidden secrets? Most call them “Easter Eggs,” we call them necessary, fun, and a part of the development process.

We’re lucky to be a studio with multiple projects and since we’re great friends with the Sunset Overdrive team, we decided to throw in a special nod to them as they make all their announcements at E3 this week. How do you add Sunset Overdrive to Outernauts? How do you show some appreciation to the adorable Fizzco spokesblimp Fizzie?

Well, Fizzie made us, I mean, WE decided to add a very special Fizzie touch to Outernauts by making Fizzie “appear” in Outernauts!

To activate the Fizzie Easter Egg, just change your beasts’ name to “Overcharge.” Then watch the next time you collect some Lunar. Magical Fizzie things happen… Go ahead. Try it. I’ll wait.

Now the question is, what could happen if you named your beasts different things… Will more secrets be revealed? Try some other names and maybe you’ll find more secrets!

Thanks for reading! Now go explore the galaxy!

Every year the Academy of Interactive Arts and Sciences (AIAS) and the Entertainment Software Association (ESA) honor video game artists by selecting concept art pieces for their Into the Pixel Collection. These pieces then form a gallery that travels throughout the year, with the first stop being E3 2014 in Los Angeles.

This year, 19 pieces were selected by the jury and three of them are from Insomniac artists! Two of the selections come from Sunset Overdrive: Souvenir Shop by Vasili Zorin and Character Grouping by Julien Renoult. Sunset Overdrive holds the distinction as the only game to place two pieces of art into this year’s collection.

Ratchet & Clank was also honored, marking the third time Insomniac Games Principal Artist Dave Guertin has had a piece selected by Into the Pixel. This year’s selection was Dave’s Planet Yerek Color Script from Ratchet & Clank: Into the Nexus.

Our winners are below. But you should check out the Into the Pixel website to see all of the winners from 2014.

Sunset Overdrive Souvenir Shop by Vasili Zorin

Sunset Overdrive Souvenir Shop by Vasili Zorin

Sunset Overdrive Character Grouping by Julien Renoult

Sunset Overdrive Character Grouping by Julien Renoult

Planet Yerek Color Script by Dave Guertin

Planet Yerek Color Script by Dave Guertin

As we continue towards this Fall, we wanted to spotlight various members of the Sunset Overdrive team with some questions you hopefully haven’t seen answered elsewhere. Get to know the Sunset Overdrive team. To kick us off, we talk to the man himself, Creative Director Marcus Smith.


How did Sunset Overdrive come to be?
Well, sonny… pull up a rocking chair and let me spin a yarn from a bygone era… Drew Murray and I were finishing up Resistance 3 (I was the Creative Director and Drew was Lead Designer). We’d immersed ourselves in “end-times” themed entertainment both as part of R3’s thematic crux and because, frankly, we were thinking a lot about the apocalypse. It was all the rage, reading Cormac McCarthy’s “The Road”, Robert Kirkman’s “Walking Dead” comics, watching all the different film versions of Richard Matheson “I Am Legend”, etc.

And maybe it was because both Drew and I were about to become first-time parents pretty close to one another, but you might say we got kind of obsessed with post-apocalypse scenarios. (Drew more than me. He was a full-on prepper. Moderation isn’t even in his vocabulary). But after our daughters were born and the world didn’t end, we started to get pretty worn-out on the whole, “dark, depressing, monochromatic, just scrapping by” genre. Still, there was still *something* that attracted us to the idea of an end-times scenario. Seeing the character Jim walk around the empty streets of London at the beginning of “28 Days Later”, or seeing Charleton Heston cruise around the streets of Los Angeles in the whale of a convertible, even Will Smith hitting golf balls of an aircraft carrier in “I Am Legend”, there was something clicked about how you could have fun in the end-times.

We started looking at it less as “the end” and more like a new beginning. One where the laws and societal rules no longer control our behavior. The idea that we wouldn’t have to devolve into “Lord of the Flies” when society breaks down, but perhaps we could re-build based on more creative philosophies, like Burning Man. That was the spark, the impetus that drove Drew and I to create the basis for Sunset Overdrive. Luckily for us, (CEO & Founder) Ted Price, (Chief Technology Officer) Al Hastings and (Chief Creative Officer) Brian Hastings supported our crazy idea and everyone at Insomniac got behind it, turning it into something so much better than we could have ever imagined.

Can you talk about the inspirations that drove the creation of Sunset Overdrive?
I just did! What do you want from me!?!? Well, after we’d “turned the corner” and started thinking about “fun in the end-times,” Drew and I amassed a huge collection of inspiration- music, images, fashion, artists, pop culture, etc. Our very first pitch had literally no story, enemies, or gameplay. It was like we were a couple insane hoarders dumping a giant pile of ‘stuff’ on a conference table. Some of that included: Veladoras, vintage Halloween masks, the “Hyena Men” of Nigeria, pictures of young Keith Richards, H.R. Pufnstuf, Jean Paul Gaultier, Nanook of the North, Wacky Racers, Tank Girl (the comic, not the movie!), tons of artists (like Jamie Hewlett, Ashley Wood, Frank Kozik, Jim Mahfood, Geof Darrow, Rhys Owens, Banksy, Clement Sauve, Phil Hale, Raymond Pettibon, Rob Schab, Jeff Soto, Bill Barminski…), movies (Repo Man, Scott Pilgrim vs. the World, Idiocracy, The Warriors, Fight Club, Dogtown and Z-Boys, The Stuff, Streets of Fire, Turk 182, They Live…), The Gorillaz “On Melancholy Hill” music video, Harajuku fashion, Mardi Gras Indians, Devine & John Waters, Burning Man, British mods, Dia de los Muertos, Rude Boys, vinyl toys, and so, so, so much music.

Drew and I both grew up listening to punk rock and music is important in our lives, so when we first started talking about the energy of the game, we would make each other mixtapes with bands like The Misfits, The Saints, FIDLAR, Stiff Little Fingers, The Monks, Swell Maps, Bass Drum of Death, Dead Kennedys, Dickies, Slade, Le Tigre, Dan Sartain, The Birthday Party, Jay Reatard, Bad Brains, Killing Joke, Ty Seagall, Nation of Ulysses, Tricky, The Bronx, Youth Brigade, Buzzcocks, Fear, Cheap Time, Germs, DZ Deathrays, The Peechees, Gang of Four, Adolescents, D.R.I. Melvins, Iggy & the Stooges, Minor Threat, Thee Midniters… I could literally go all day here. In summary, inspiration came from everywhere!


What’s your favorite video game of all time?
Me? Oh, man. That’s a tough one. Tetris was pretty good… I’m not sure I could say one game. I’ve so many good experiences playing games and it varies so much by what was going on in my life when I played. Like, maybe I was going through a bad breakup when Mario Sunshine came out and I really never gave it a real chance, you know? Ok, let’s see… Ocarina of Time is certainly up there. For some reason I think back on B-17 Bomber for the Intellivision all the time. Marble Madness was an incredible *experience* when you played it in an arcade, artful, but stress filled (plus, I love Mark Cerny). I got completely immersed in Myst and Doom right around the same time. Spent way too much time with Super Mario Brothers. And GTA3. Jumped ship after Vice City (GTAV got me back, but I could also complain about it for hours) Loved Ico. I work at Insomniac because I loved Spyro (added advantage: it was the only game my girlfriend at the time- wife now- asked me to play so she could watch). COD: Modern Warfare was such a well crafted experience. Peggle is a phenomenon. Lucasarts had a western called, “Outlaws” that was incredible- such a good soundtrack. Years later, “Red Dead Redemption” equaled the feat (loved just riding a horse around and hearing the sounds of cicadas coming out at dusk). Minecraft is so damn addictive!

Some of the most memorable gaming moments came playing Counterstrike & Marathon in office environments (i.e. day jobs. I’m old.). Beyond Good and Evil didn’t get the respect it deserved. Last of Us was incredible. Arkham Asylum was a perfect game. This is hard. So many good games! If I had to choose… I’m going to go with Half-Life (first one). It changed my perception of what a shooter was and I completely fell into the world of being Gordon Freeman at Black Mesa. Plus, I had a really powerful PC at my job at the time, so it was super smooth. I’m going to be up all night now, thinking about the games I should have mentioned…

If your city was overrun by mutants who had drank OverCharge, how would you survive?
First of all, I live in Los Angeles, so nothing would probably change. However, I would take over a 7-11. It’s stand-alone and well stocked with supplies that take a while to expire. It could be easily fortified and I could build means of moving around to surrounding buildings above the heads of any mutants. Plus, they’d probably stock OverCharge, so if things got really bad, I could just join the rest of ‘em!


Describe your ideally dressed Sunset Overdrive character?
Let’s see. I usually start with hats. Maybe a pith helmet. One with a built-in fan system. Then some aviator sunglasses to protect the eyes. UV rays are no joke, people. Maybe a marching band jacket with the arms torn off, a color-coordinated baseball jersey under that. Get me some of those MC Hammer pants in garish color, a pair of painted-up wrestling boots, some wings made of Raven feathers and a pimp cane. Just add an ice-cold a mint julep silver goblet and chill. That’s my Awesomepocalypse.

Your Sunset Overdrive Weapon of Choice?
I’m a sucker for the TNTeddy. Everything about it- the animations on the little bears trying to get away, the voice of the bear Teddy Ruxpin wanna-be, the giant, satisfying teddy bear flame effect that shows up when you do a lot of damage… Plus, it makes big explosions. Which is always nice.

Favorite Amp for your character?
You’ve put me in a tough spot because we haven’t shown many amps yet, so I’d normally answer something that I can’t talk about yet. Let’s just say that my favorite is one we’re currently calling “Grim Reaper.” I can’t really tell you about it, but I’ll add that I loved Mr. Zurkon in the Ratchet games and I’ll let you piece that together. (note to self: I sure hope we don’t cut the Grim Reaper..)

Give us a couple songs on your current playlist (from the Bus playlist?)
I’m at this moment listening to DZ Deathray’s new album, “Black Rat,” which is incredible. Maybe it’ll be released in the States at some point… Checking my recent listening: “Hussy Woofer” by Pink Mexico, “This Town” by Kid Karate, “Yellin'” by Cy Dune, “You Are Dead” by Mind Spiders, and everything by Sleep Maps (check out their Band Camp!). Was that a couple? I really like music…


Check out all of our Before Sunset interviews here.